Layering – Part II

Edna-bannerIn a recent post I uploaded photographs of the layering process. I used green dyes for the new top layer on a square silk twill scarf. Here, is another combination of colours on the same original coloured background, but this time on a long scarf.Old-Edo-long

I have used the same approach, drawing on a new set of motifs,

Edna-long-new-motifs

then adding the colour. This time I have used the greens and bronzes,

Adding-greens-and-bronze

but have changed the whole feel by adding a rich rose pink and a pale powder pink instead of the lemon yellow.

Adding-pinks.jpg

I think the finished scarf is now a more dynamic, flowing piece.

Edna-Long-finished

It is available from my online shop. 2019 update now sold.

Edna-long-boxed copy

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Layering – Part I

Header-picIt is time for changing two or three older pieces of work that haven’t sold. I am happy to say that overpainting previously painted and steamed silk can give some very pleasing results. Here a (boring) pale cream, lilac and blue combination is transformed.

Edo-square-clup3-blue copy

Firstly with a new set of motifs applied.

Drawing-new-over-design

Then painting in with another range of colours, this time greens and bronze.

Filling-over-dark

Gradually the whole square is transformed. It is a creative process that generates some intriguing overlapping combinations of colours.

On-frame-dyes

It was this . . . . .

edo-sq-full

and then this (ready for steaming)  .  .  .   .

Edo-sq-II

and now it’s finished.

Edna-square-composite

For sale here – Update 2019 now sold.

Silk scarf painting

outlines-fenella-2

Last autumn I felt like renewing how I approach my work. Nothing major, but some adjusting here and there, some tweaking and a few small changes in how I create my silk pieces. I have been developing using some of the more regimented medieval motifs into less restrained pieces, combining the stylised forms with looser more naturalistic ones.

fen2-nearly-done

Then when introducing the colours I started by wetting the silk with water first and then adding the dyes in a painting style more similar to working with watercolours.

The results – after steaming to fix the dyes – were okay. I was happy with the outcome using this type of medium weight flat crepe and this scarf is now listed on my shop.

fenella-two-board