Working up the Saz

Last week I posted about an inspirational visit to my local museum in Ipswich where I discovered the ‘saz’ motif of Persian ceramics.

Ceramic tiles decorated with the saz motif. ‘Saz’ is a rush or reed. This is an example decorating 16th-century Iznik Pottery

As I am always on the lookout for any interesting shapes, designs, motifs that I can adapt and use in my work, this turned out to be a particularly rewarding visit.

The ‘Saz’ motif is a design derived from the natural world. It is a stylised reed and as such I liked the idea of working it up with a stylised fish or two.

The Saz motif with fish.

Once I have finished painting a block of mask designs, usually about 10 at a time, it is time for the fixing process. That’s two hours in the steamer wrapped in paper.

The Saz motif used in a more simple design.

When the steaming time is up, the silk is washed and cut up into mask-sized rectangles. Then it’s all change in my studio. The dyes and frame are put aside and the sewing machine takes centre stage as I sew up the next batch of masks.