Like many people who work from home I tend to have the radio on all day long. And, if not the radio then I have an audiobook plugged into my ears. So, it is quite possible for a camera-toting daughter (home for the holidays) to sneak up on me and catch me off guard.
Recently, I’ve been working on smaller pieces, but I decided I must just knuckle down and finish this large scarf. It is inspired by the colours of St Peter’s robes as depicted on the Ranworth rood screen. You can see my photograph of the bottom of the robes (with feet!) propped up in the above picture and a bit more detail at Motif combinations.
Here, in East Anglia, we’ve had a ‘green’ winter – that is no significant periods of below freezing temperatures and no snow. Early March and both my clematis armandii climbers are blooming almost a month earlier than last year.
Drawing out scarf Mildred blue.
Buds of clematis armandii Snowdrift.
I am currently working on a 90 x 90 cm crepe de chine scarf. I’m combining a floral shape taken from the clematis and motifs that appear on the ornate robe of St Peter as depicted on the 15th-century Ranworth rood screen. At first glance you might assume that the motifs painted on this 15th-century panel were inspired by the surrounding flora and fauna of East Anglia. However, it is more likely they were copied from a pattern book that had been brought over from Northern Europe. It is even possible that these patterns were lifted from silk cloth woven in the northern cities of Italy such as Catanzaro and Lucca. And, some of these woven motifs were designs that had originated in China, migrating along the ‘Silk Road’ embedded in the rich silk cloth traded from the East to the West.
I read that the clematis armandii is native to China, but I don’t think this small flower shown on the St Peter’s robe is an ‘armandii’ motif, however I liked the idea of combining shapes from the 15th-century screen with a flower from my spring garden.