When I started my online shop three years ago getting to grips with product photography was essential. I found that photographing my painted scarves to achieve the nearest representation to how they appeared in reality in normal daylight, was a major issue.
Recently I attempted to model my own work so I could catch the best ambient light. The colour accuracy of the two examples below is probably the nearest to real life I’ve managed. It was outside with bright, but overcast skies. However, pin sharp focussing proved virtually impossible working on my own with the camera on the timer. And, in the end I discovered that it takes a very special photographer that can make a back view interesting particularly against a bland background. And, that’s not me!
Of course not all my work ends up for sale as with any hand process some pieces just don’t make the grade. After steaming I make a close inspection and sometimes a fault previously invisible shows up or water in the steaming process has spoilt the design. Naturally these don’t end up in one of my rag wall hangings like the offcuts do, but instead I wear them in my everyday life. Obviously, these rejects pop up in informal pictures taken by other people. Below, I’m just in from picking up folks at the local railway station! Focus is good, colour accuracy is pretty precise too, but oh my goodness somebody is always pulling a stupid face!!!
Then there are the pics taken on other peoples’ mobiles – more silly faces and now poor quality as the images get rendered across different devices.
Finally, and oddly for me, one of my more spirited photos showing me wearing my work, is a selfie! It shows an eccentric use of a couple of my old art silk scarves. Last summer I was turning my compost in the back garden when I unwittingly disturbed the beginnings of a bee colony and had to take some hasty precautions not to get stung to bits.