Four or five times a year I prepare my latest work and head out into the Suffolk countryside for a photoshoot. You may remember in August I did just that making the most of the early morning light down by the River Orwell .
I usually take 250 to 300 photographs during the course of a shoot.
Now, not all pictures are attempts at capturing the essential ‘best’ photograph of model and scarf, some are simply capturing a moment.
Putting all the doggy fun aside, it’s not possible for me to know before I get back to my office if I have got the shots I actually need. Unlike professional photographers I don’t have a laptop with me on location to check pictures as the shoot progresses. And, looking on the tiny camera screen only gives a very vague indication as to the quality of any image.
Obviously, poorly framed, extremely over and under-exposed and grossly out of focus images can be immediately deleted, but it’s not possible to tell if any shot is pin sharp until I see it on my computer screen.
Finally, here’s a reasonable photo. However, it didn’t look like it on my camera screen, but thankfully it wasn’t deleted at first glance, made the cut and will probably be used on my shop at some point.
It is August and thoughts naturally turn to . . . Christmas . . . !
Sorry, but I am afraid it’s not just the big brands that are preparing for Christmas in August, but we folk selling handmade items are also busy working towards the ‘gift’ season.
This week there has been excellent early morning sunshine and the river has been like a misted mirror reflecting gorgeous, natural light. In other words it has been ideal for a photoshoot.
And, having ten scarves ready for photographing, including a couple of ‘Christmassy’ ones, it was off to the banks of the River Orwell.
It is approximately a 300 metre walk down hill through deciduous woodland from the car park to the banks of the river. Then a short walk along the shore for a set up just downriver from the Orwell Bridge.
It is a popular place for dog walkers and people wishing to picnic at the water’s edge or even swim in the river. It is also an interesting place for photographing my work as the light is similar to that reflecting off the sea, but the area is more sheltered than the coast with less wind to blow the scarves about.
We had a couple of hours taking pictures before the sunlight became too bright and also, at this time of year, too hot.
By the time we had finished I had taken over 500 shots of varying quality. The sun was high in the sky, the mist had burnt off and it was time to pack up. Fortunately, the traipse back up the hill was not as arduous in the heat as it might have been, but was surprisingly pleasant thanks to the cool, airy shade of the woodland.
The English autumn has yet to turn chilly and most of my garden is still verdant with the heavy, dark green leaves of late summer, but autumn it is and the light is changing. Last week’s photoshoot certainly underscored this change for me. The full sunlight was less harsh than summer sunshine and it cast longer shadows. Happily, I have bagged some interesting modelled product photos for my new Fenella series.
And, additionally, a couple of photographs have been featured in this month’s UKHandmade Autumn Showcase pages 18 and 19 (not the ones shown above).
Now, it’s time to get working on a new design. Lines and shapes first then paint the initial background wash.