St Edmund’s, Southwold. Revisiting Rood Screens, Suffolk VI – An unexpected offshoot!

Ettaline-mouse-PeterSometimes I stick quite closely to my source inspiration as with the first two of my recent Edlyn series of silk scarves. Picking a panel and details from one of the panels of the St Edmund’s rood screen and working up a design.

Et1But sometimes I get diverted.

After I have drawn out some patterns and motifs a few times I start to wander off down my own road. I think it is a similar to when authors say that their characters somehow take on their own lives beyond the control of the writer. I feel this scarf is my version of my ‘visual’ characters marching off in their own direction especially regarding the colours.

This affair is probably better shown than described. As you can see from the photographs, the outline drawing still has a feel of the medieval panels about it, but it is loosening and the choice of colours has clearly moved away from the rood screen originals.

The creative process is not entirely describable, but here is the finished silk on the frame.

Ettaline-mouse-finishedAnd, finally after steaming, Ettaline Mouse.

Ettaline-mouse-close-up

ettaline-mouse-composite

 

 

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Bag ladies for London Fashion Week

Bag-ladiesIt has been London Fashion Week again and to mark this kaleidoscopic event a Sunday newspaper printed a special, big fat, bumper edition of their fashion magazine. Flicking through the 182 pages there wasn’t much about the up and coming bright young things, but instead there was plenty from the major luxury fashion brands launching their autumn ad campaigns. Is it me or do the ad people have a tin ear? Okay, I have been a bit naughty and photoshopped the top picture (original photo below), but, really, what are the Burberry folk signifying?

Burberry-bag-ladies

According to the charity ‘Streets of London’;

8,000 people sleep rough on the streets of London every year. They come from every walk of life, and many of them want to find work.

Maybe I have misinterpreted the images, but sitting on grey city steps in oversized winter coats and knitted hats with what looks like giant shopping bags, (okay I note they all look pristine), reminds me of homeless, bag ladies. Surely that can’t be right.

Burberry aren’t the only ones with brittle, nonstandard photos. In need of something a little different Gucci have stepped off planet – literally.

Gucci-aliens

Yes, look closely and it’s aliens now modelling for Gucci.

Mind you the most startling ad in the whole magazine was, now wait for this, modelling for Louis Vuitton, an OLD person. And, she is the only old person in the whole 182 pages.

Catherine-Deneuve

Admittedly, this beautiful old person is the internationally famous, French film star Catherine Deneuve. At 73 years old she is over three times the age of the other models featured in the various campaigns. And, as a final comment, according to this Sunday newspaper’s own circulation data for 2017 (so far), 70% of its readership are 45 years old or older, with nearly a third of its readership Senior Citizens!

Age

Mother’s Day – 26 March 2017

 

UKHandmade-Showcase-feature

As we approach Mother’s Day (here in the UK) I have been lucky once again to be selected by UK Handmade to have a couple of my scarves featured in their Spring Showcase.

As you may already know I take all my own product and publicity photos. I have been photographing my own work for four years now, but try as I might I still can’t get my head round photographing in advance, in preparation for the next season. I always marvel at the wintery Christmas television adverts that were most likely shot in high summer.

Agnes-Ashe-spring-banner4

The best I can manage is to create the feel of a season. For spring this year I initially had a go at working with yellow, but in the end I have chosen pink for the main colour. I’m going all out with spring pink. In fact I have even rearranged my shop homepage to start with all the pink and mostly pink scarves. Who doesn’t love a little double pink cherry blossom?

Homepage-Agnes-Ashe
Agnes Ashe

Autumn UKHandmade Showcase feature

dark-green-leaves-scarf-autumnThe English autumn has yet to turn chilly and most of my garden is still verdant with the heavy, dark green leaves of late summer, but autumn it is and the light is changing. Last week’s photoshoot certainly underscored this change for me. The full sunlight was less harsh than summer sunshine and it cast longer shadows. Happily, I have bagged some interesting modelled product photos for my new Fenella series.

And, additionally, a couple of photographs have been featured in this month’s UKHandmade Autumn Showcase pages 18 and 19 (not the ones shown above).

Now, it’s time to get working on a new design. Lines and shapes first then paint the initial background wash.

paintbrush

 

The Model Question

Here is a little question – is there a professional view that always prevails? Big production, fashion magazine shoots seem to take their beautiful, thin, young models and shoot them looking at best irritated, but more often angry or depressed. Are other options a possibility?

Full-face looking at the lens? And cheerful. Posed and angled? Perhaps a bit old fashioned.

And the facial expression . . . ? Blank?

Well, may I ask for your opinions? I have been bogged down with so many photos I can no longer see the wood for the trees. This handful gives a rough overview of the choices I have.

And, here are some gorgeous professional fashion photographs from the masters, Nick Knight, Tim Walker, Rankin, and David Bailey if only …