With this year’s centenary commemorations for the start of World War 1 there will probably be more representations of poppies than usual.
Various forms of the poppy single or double, annual or perennial and in a variety of colours from white through yellow to salmon pink to deep red are found all over the world.
The delicate annual field poppy (papaver rhoeas) germinates from recently turned soil, thriving and blooming across the summer. Up close poppies are striking, but still have an ephemeral quality that has long inspired visual artists.
There’s even the stunning blue Himalayan poppy, meconopsis. I once grew some meconopsis (M. baileyi I think) in my front garden as it provided the best conditions. Eventually in its second year it bloomed. I was so thrilled with the amazing colour, but to my utter surprise the next day somebody leaned over the low wall and picked all the flowers and I hadn’t even had chance to take a picture! I hoped it was a child that was so in awe of the colour that they had taken the flowers home to show to their family.
The painting of my new banner is now completed and has been left overnight to ensure it is entirely dry.
It has been rolled in paper along with three other pieces, steamed for three hours, washed thoroughly, pressed and is now finished. I think it is very clear which prints contributed most to this creative process. Oddly, it’s all blues and greens considering the starting point was the photo of a pale pink hollyhock.
I have now settled on the design for this new banner. I’ve worked up the sketches and have drawn it out on the silk. It will also be a scarf.
It takes me about an hour to mix up the dyes in the shades and dilutions I’m looking for. I dab them onto a small off-cut of silk, but quite often I find once I start painting that I need to mix up one extra special highlight colour. This time it has been the dark green of the sheath-like leaves.
Like many people who work from their own studio or from home I spend many hours engrossed with my work – not great company and often resentful of interruptions, sorry. Whilst painting I listened to unabridged audiobooks borrowed from my local library. When I look at some of my past work it triggers memories of the novel I was listening to at the time of painting especially if it was a deeply moving or passionate story.
As I’m working on this piece I’m listening to ‘On Green Dolphin Street’ by Sebastian Faulks – it is beginning to get moody and intense.
Now, today, I have returned to my mood boards and the world of Japanese woodblock prints.
Since I was a teenager I’ve been interested in Ukiyo-e prints. I remember accompanying my mother when she went to visit a German friend who had come to live in Suffolk. Whilst they chatted I looked through her art books and found one about the art of Japanese prints. The text was in German (I couldn’t understand), but the images caught my attention they were so refined and pared back to convey just the essentials. It is a very appealing aesthetic and, of course, in the West has inspired some of the great Impressionists and Post Impressionists. There were some interesting comparisons made in a 2009 exhibition about Monet which can still be viewed online. http://collections.tepapa.govt.nz/exhibitions/monet/MonetsLife.JapaneseArt.aspx
Now that’s all a bit awkward – I’ve never been great at sketching and now I’ve got the ingenious ghosts of Monet, Degas, Toulouse-Lautrec and Van Gogh buzzing round my head. Must say bye to the thinking brain and rev up the creative brain.
Last week I was reading round some great blogs and noticed some people have really beautiful top banners. They have beautiful photographs capturing a sense of place or images of their own art or pictures of the inspirational work of others. Of course, some people are amazingly savvy about coding and I take my hat off to them, but for folks like me it’s a case of uploading jpegs. Anyway, it has inspired me to make a change.
Usually my creative process starts with a single inspirational photo and in this case I’ve started with this pink hollyhock which I took and uploaded last week.
Then I put together images with a similar feel, colour and tones, a bit like a mood board. And, as the process continues quite often shape and pattern themes develop.
I tend to do this over several days, leaving it, returning to it, making adjustments, adding and erasing.