Being a bit of a smarty pants I have planted two heavily scented roses either side of my bedroom window so that their captivating fragrance could waft into my bedroom on warm summer evenings. But being merely human I have failed to keep them under control allowing them to thrust upwards and become top heavy.
Oh dear, during Saturday night we had unseasonal high winds here in East Anglia and both rose bushes were beaten up and the next morning I found them knocked to the ground in a thorny mess.
Following a rescue pruning I have retied them into position. It’s not been a total horticultural failure as they are well rooted and as a bonus I have several flower arrangements filling rooms with the scent of summer, and, I have some more lovely floral photos for my work.
This photograph was snapped, opened on the computer and surprise – it just felt so familiar. My daughter looked over my shoulder and said “Looks like ‘Girl with a Pearl Earring’ to me”, and I said “Ah yes, it does, doesn’t it”. I had no intention of reconstructing a picture in the style of this famous portrait – it just happened.
It is fascinating how images get lodged in our visual memory and then become markers or signposts without our conscious effort. Thinking about it, I suppose when you view a fair number of photos some are bound to spark wider connections and as I prepare to launch my online shop (agnesashe.co.uk) I have looked at a lot of photographs!
With my own work I find shape and colour gradually gets distilled from primary experiences that have been captured first in my photographs.
This beautiful flower of clematis Proteus, saved from relentless slug attack by being dug up and replanted in a large pot near the house, is one of my favourites. Its intriguing shape has contributed to my work.
Flowers and foliage in the garden, architectural details I’ve spied and sometimes the inspirational works created by others, all goes into the melting pot during the design process.
Sometimes people have grand ideas that never come to fruition, but luckily those amazing people involved with the opera production of ‘Grimes on the Beach’ for the 2013 Aldeburgh Festival brought us a dramatic and memorable evening. Despite the myriad of difficulties associated with staging an opera outside on a beach, seeing ‘Peter Grimes’ on this specific beach where the fictional action takes place, was mesmerizing.
Our evening was enhanced by arriving in a thick sea mist that came and went during the performance when the weather changed as dusk turned to night.
Britten’s music evoking the sea and the Suffolk coast, a particular coast of shifting shingle, has always been significant for me especially during my time living away from East Anglia. I am a girl of the grey sea and the huge skies, and hearing the waves breaking on the shingle in the quieter passages of this tragic opera was enchanting.
It was a brave decision to mark the centenary of Britten’s birth with this ambitious production and I’m sure I’m not alone in wishing to thank and congratulate the soloists, chorus and orchestra members, and all the production team for this spirited and successful work. Bravo.
The sea glimpsed through the staging.
Fishing boat partly submerged in the shingle.
Darkness and the stage is lit.
The hardy souls of the audience during the second interval.
Sunday, 16th June 2013, marks the 50th anniversary of the first woman in space, Valentina Tereshkova. She was working in a textile factory with a passion for her hobby of parachuting when she was selected for the Soviet space programme.
I don’t remember this world event, but I do remember watching the moon landings.
And, as a child of the space age I’ve been reminded of all that 1960s energy for the ultra, ultra modern, space-inspired fashions. There were strangely sculptured white outfits and various mini dresses of silver and white most notably by the French designers Courrèges and Ungaro, and the Spanish designer Paco Rabanne. I think zany was the word.
Silver and white mini dress by Courrèges.
Lauren Hutton in Space Age Silver – dress, tights & shoes.
Head to foot in silver twinkle
Oops there is a little person here looking up to space, but not too happy about being dressed up in head to toe silver twinkle. Fast forward a decade into the future and she will be a science fiction fan enjoying her A Level Physics Project – “From Black Holes to Wormholes”. Ah, the mysteries of life!
Much of everyday life can be the source of inspiration for a creative piece. But every now and then a splendid object can catch your attention and you simply have to keep looking at it until a new interpretation crystallizes in your mind’s eye. Just last week I saw this photo of a Moche mask and I was captivated by the colours.
The Moche were a pre-Columbian peoples from Peru who were highly skilled in metalwork, ceramics and textiles. It is believed that their civilisation failed during the eighth century when particularly harsh environmental conditions prevailed as a result of a severe ‘El Niño’ period. Nowadays, it is a privilege to see their beautiful creations. And, some of us are lucky enough to live near the Sainsbury Centre for Visual Arts based at the University of East Anglia where an amazing Moche fox head, fashioned out of copper, is on display – you can also see it here.
Fascinatingly, in real life despite its smallish size (12.7 cm) the fox head has an unexpected potency.
Anyway, inspired by the mask I have mixed up some colours and have been painting these scarves.
Wednesday, 5th June is World Environment Day and the theme this year is ‘Think, Eat, Save’ as we are encouraged to consider how to reduce food waste by the United Nations Environment Programme http://www.unep.org/wed/. On my micro plot in East Anglia my slender contribution is growing some fruit and veg, and recycling kitchen and garden waste by composting.
Through trial and error I’ve discovered the obvious that for me it is only really worth growing what you and your friends and family like to eat. I have found that growing fruit has been less demanding than vegetables, more successful and we all love eating it. Also fruit trees in particular have beautiful blossom I can photograph and use for designs.
Apple Blossom ‘Blenheim Orange’
Plum Blossom ‘Victoria’
Apple Blossom ‘Bramley’s Seedling’
Peach Blossom ‘Peregrine’
Of course I still grow easy veg like beans, courgettes and tomatoes from seed as homegrown often tastes better especially when freshly picked and no food miles.
My vegetables from seed this year have been very tricky as the germination rate has been poor due to the coldest spring in the UK in over 50 years. Even though I start most of my seeds indoors on the kitchen window sill, it has been so cold I’ve had to resow both the french beans and lettuce. And, still no signs of any courgette seedlings. But, at least, the fan-trained pear blossomed really beautifully.
I expect like me you have various memories of childhood, some of them more vivid than others. Floating around in the back of my mind there has always been a memory of a glove puppet I made at my primary school in East Anglia. The puppet was left at school and the memory took on a kind of mythic quality. I even wondered years later if I’d made it up and then last weekend whilst going through my late Mother’s photos I found this picture – a somewhat grotesque version of Queen Elizabeth I as a glove puppet. I vaguely recall messing around with papier mâché, but that’s it. I’d like to think that my teacher had shown us this postcard as I think it could have been my inspiration!
I have always loved the rich and intricate portraits of Elizabeth I for their visual impact, but as an adult I truly admire the skill and intellect of the Queen, her artists and her courtiers who together fashioned such great, yet beautiful propaganda pieces.
Dried roses a soft, faded colour palette
Queen Elizabeth I, The Darnley Portrait unknown artist c. 1575 at the National Portrait Gallery,
Glove puppet Elizabeth I
More about Elizabeth’s life with her courtiers can be found at Elizabeth I