Another Nixie scarf, but this time bright and petite

Back in the depths of winter I painted a large, 90 x 90 cm crepe de chine scarf that acquired the name ‘Nixie Noire‘. It had followed on from a small, bandana-sized scarf called ‘Nixie Petite’. Weirdly, I had forgotten all about Nixie Petite until yesterday when I was doing my annual stock take.

Nixie Petite – out of the box for stock take.

Doing my stock take isn’t an arduous task as I rarely have more than 50 scarves available to buy at any given time. Instead, my stock take becomes a short journey of rediscovery as I work through my boxes and find work I’d forgotten I’d painted.

The design is drawn out and then the colours are painted in.

It might seem odd that I should forget my own work, but seeing the photos of my scarves on the shop isn’t the same as handling them. I know I’ve mentioned it before, but even the best photographs are not a substitute for the soft and almost luminous quality of a scarf in real life.

In passing I would also say, that at the various craft shows I have sold my work, interestingly, most people still only look. I have to suggest that people can pick up a scarf and feel it. I also have a small, gilt mirror to encourage customers to try on a scarf and see how it looks and feels when worn. I guess we mostly buy with our eyes.

Nixie Petite -finished and ready for steaming.

Anyhow, counting the stock requires seeing the real item and in the case of Nixie Petite being surprised by it. Goodness, those colours and all that fiddly pattern. I must have been in an easygoing, light mood when I started that one!

And, if you ever wondered from where I get the names for my scarves, I choose them from an old book of baby names.

Nixie – from the Old High German, nihhus, ‘nymph, sprite’. A mythological mermaid, half-woman, half-fish, who could be glimpsed by lovers on nights of the full moon.

Mother’s Day 2022

There’s not so much to be positive about at the moment, but we can at least take a moment to think about and celebrate our mothers.

My mother in her late twenties.

I have much to thank my mother for not least her interest in the visual arts. She was in the audience for one of my early forays into the world of fashion when she attended a catwalk show in London where some of my work was presented. And, she did see my daughter the evening she went off to her Prom in a painted silk chiffon dress I’d made.

Painted silk chiffon for Prom dresses. My niece in the lilac and my daughter in the peach.

However, sadly she never knew I launched a business with an online boutique.

Example of my work. Professional studio, lighting and model.

Of course, for those of you lucky enough to still have your mothers in your lives there are plenty of gifts of all types and kinds these days. There are edible, wearable, watchable, doable, learnable and give-aid-able gifts on offer.

Naturally, in the ‘wearable’ option there are my hand painted silk scarves!

Well, well, well – alpha, beta, delta . . .

Omicron. Yes, the latest variant of concern has brought with it the return of compulsory mask wearing in shops and on public transport in England. A point to note here is that the rest of the UK, Scotland, Wales and Northern Ireland (devolved for matters of health from the UK’s Westminster government) had not joined England’s laissez faire approach. Since, 19th July 2021, the so-called English freedom day, one has been encouraged to make a personal choice to wear a mask or not based on one’s own assessment of the Covid risk. And, naturally, following the example set by the Prime Minister as well as seeing the government benches stuffed with maskless Tories, many people simply assumed Covid was done and dusted and had stopped wearing face coverings.

Mmmm, I could embark now on an intense rant about the rinse and repeat poor leadership together with the sporadic wishy-washy messaging from our government, but instead it’s time for me to calm down and get out the silk and the dyes . . .

Find the last few rectangles of backing silk

Dig out the black elastic from the bottom of my sewing box

And sew up a few more silk masks.

Maybe or maybe not the last masks to be added to my online shop.

Another flower-inspired bandana

Well, it’s the 25th November and it’s four weeks to Christmas and that’s it for my backyard for this year. There are a few pink cosmos plants limping on and the hydrangea blooms will be slowly fading, or rotting away for the rest of the winter, but until next spring they’ll be no flowers from my yard to cut and bring into the house.

Drawing out and painting the first corner design.

Just as well I took the time to photograph some of my favourite combinations from the summer and early autumn flower arrangements.

Finding another colour combination for opposing corner.

I keep a selection on my iPad which I use when looking for colour inspiration.

Beginning painting the centre panel featuring the full large vase arrangement.

And, every now and then I do sort of copy an arrangement and include the vase as well. You may even recall that I painted a picture of the tall vase arrangement before the design ended up on scarves.

The example below will probably be the last one of this series as the season and the light have moved on and I am feeling the arrival of winter and with that a change of palette.

One for me and one for the shop

About once a year I paint an experimental, trial scarf for myself, then tweak the design and when I’m satisfied paint a very similar more refined version for the shop.

The prototype for my new small scarf series.

Not long ago I reviewed my stock and assessed the different colours available. I realised recently I have been mostly working with blues, turquoise and pinks. On my shop there’s also scarves in pink and green, soft green and gold, but no strong green.

Last time I did this ‘one for me (prototype) and one for the shop’ I was working with strong, vivid reds. This time I thought I would use the same approach to work with some zestful, bright greens.

My prototype left and ‘Evy Apple’ now on my shop. I think the shop version works better with the darker areas of Prussian blue adding contrast and depth.

Of course, sometimes there’s a fashion for a certain colour and I notice green has become popular of late. Now, this bright green is quite a change for me and for a first experiment it was always going to be working with my smallest scarf size.

Painting the first bright green ‘prototype’ scarf.

Also this small ‘neckerchief’ size is a personal favourite as it can be worn to add a small accent splash of colour, especially when it is such a zingy colour.

And one for the shop – painting the second bright green small silk scarf.
Two bright green scarves.

Finally, both green scarves were finished and steamed and now one is on the shop and I am wearing the ‘trial’ one as I type this post!

Warmer Colours

It might be a cool and wet start to July, but recently I have turned to painting with a warmer range of colours.

It is another layered mid-sized scarf which has ended up more patterned with the second layer than I had originally intended.

And, after steaming the colours have turned out to be stronger and hotter than expected as well. Perhaps this weather is going to get the idea and also turn hotter too and then we’ll have a summer after all.

As inspired by aquilegias and alliums

Last month I took a few photographs of the flowers that had managed to do their thing despite a very wet May.

Aquilegias and alliums inspirational flowers

As it happens it was the photo of the deep purple and pale lilac aquilegias that consciously caught my attention and became the inspiration for a silk scarf.

And, in that strange way that colours and shapes so often infiltrate the sub-conscious, the alliums found their way into my design too.

The second layer of shapes and colours added over the first fully dyed silk made for a messy looking composition, but after steaming the completed scarf, Eladora Sea, has turned out to be one of my favourites.

After steaming the silk scarf is washed, photographed and then added to my shop.

Birthday Surprise

Like many people during the last three months I marked a birthday. It was one of those ‘milestone’ birthdays (no need to mention which one!) and the small treat organised by my daughter was cancelled due to you know what.

Hand painted DMs.

Being furloughed from work and locked down in London she was unable to travel to Ipswich to make a visit (unfortunately her name isn’t Dominique). However, she did find she had more time on her hands than expected and decided to make up for the cancelled event with a surprise gift instead.

Unbeknown to me and through a series of seemingly random and cryptic messages, she deduced that my current favourite colours are green, lilac, turquoise and gold.

I was also sent a sketch ‘for my opinion’ under the ruse of entering a competition being run by Dr Martens. It never crossed my mind she was painting a pair for me.

Painting Dr Martens shoes.

So, when the postie knocked loudly on my door and was already back in his van waving at me as I opened the front door, I was genuinely surprised to see a random, unexpected parcel on my doorstep. And, even more surprised when I opened it to find these gorgeous, colourful shoes inside – painted especially for me.

Painting Berenice Claret

Just recently I have been reviewing all my stock and looking to see what ‘colour’ gaps I should fill. As I have posted previously I have been very taken with the Iceni horse motif found on the coins of the Wickham Market Hoard and, as yet, don’t feel I have exhausted working with such a beautiful subject.

Firstly drawing up the design with coloured, gutta resist.

So, after working with this horse motif to paint five neckerchiefs and three smaller square scarves, I decided that it was time to work it up for a standard, full 90 x 90 cm crepe de chine scarf.

Adding colour, starting with a corner.

As you can see I have created quite a measured and calculated design.

Gradually working from the edges towards the middle.

There are a few small areas of flowing and blended colour such as the dusky turquoise roundels, but this design consists mostly of outlined shapes of unshaded, flat colour.

The last dye painted in was the black in the middle and then the scarf was finished and ready for steaming.

The overall look when viewing the whole scarf laid out is quite a busy piece, but when scrunched up and tied around your neck, or draped across your shoulders, the effect is simply rich and ornate.

Finding a Heart of Silk

Five hidden hearts for Valentine’s.

A light-hearted post for next week’s Valentine’s Day.

One silk heart is hidden, more or less, in each image!

Barge Victor on the Ipswich Waterfront.
One of Wolsey’s Angel.
A late-summer flower arrangement.
The Moot Hall, Aldeburgh.
Medieval stained glass, Long Melford.

You probably don’t need the solutions . . . .

. . . but here they are anyway.

Winter Blues for January 2020

It is not always the case for me, but with seasonal changes I often find that I am choosing a different palette for my work.

Adding the fourth layer of blue to the background.

Back in November we had a brief, cold snap. The frost was enough to blacken the dahlias in the backyard and I noticed that I was already painting with cool blues again.

Green, coral and gold and a few daubs of fuchsia are used as the accent colours.

Since my summer visit to the Ipswich Museum I have been working and re-working the delightful ‘Iceni’ horse motif found on the Freckenham staters. By November it was time for me to move on from painting versions on silk neckerchiefs and to develop the motif into a full design for one of the bigger squares of silk I paint.

Flat crepe silk square ready for steaming.

With all the dyed and resist areas dried the silk square was steamed and photographed. It is now January, and winter proper, and this scarf of winter blues has been added to my online shop.

Wilda Ink Blue is a 69 x 64 cm flat crepe (10 mm) silk scarf.