It is always a pleasure to visit a thoughtfully curated exhibition.
And, this was particularly so when I went to see ‘Art Forms in Nature’ at the Ipswich Art Gallery. The exhibition was comprised of four collections of images showcasing nature. The main area had a display of 40 photogravures by Karl Blossfeldt, the main upper gallery showed botanical drawings by Guy William Eves, and two smaller side rooms were devoted to specialist classification imagery.
The photogravures of natural forms by Karl Blossfeldt are fascinating. They are a Hayward Gallery Touring exhibition. Each image is beautifully and elegantly framed and mounted, and with discrete labelling (white on black), the main wall of 16 had both a classic and contemporary appeal. It invited closer inspection of each single photogravure.
It is hard to believe these enlarged close-ups capturing such detail are nearly 90 years old.
I was new to Blossfeldt’s work and am now a fan not least as I know I will be returning to his images for pattern and motif inspiration.
Whilst the downstairs gallery featured a German photographer’s work the upstairs space was filled with work by the local artist and botanical illustrator, Guy William Eves.
Now here is why I think this is a thoughtfully curated show – you walk up a staircase having just examined how the lens captures plant detail to come to a collection of detailed drawings showing how the eye and hand creates a record of botanical forms.
Botanical illustrations are about accurately recording the form of a plant, and yet at the same time a visual artist, such as Eves, offers us both the required accuracy and a personal interpretation. A myriad of choices are made as Eves develops each representation. His skilfully drawn studies suggest the presence of living material all created through line and shading.
I think you can see (even in these photos) there is something added by a fine artist when you compare Eves work with the purely accurately rendered scientific drawings and watercolours such as these of flies and fungi.
And, furthermore, if we compare Eve’s drawings with Blossfeldt’s dramatic, intense photogravures, you might agree that the drawings certainly differ having a more vital and radiant quality.
One final point, of course, you are currently looking at all these natural forms several times removed. The artists/photographer have created these works, I have then photographed them (with varying amounts of light and reflections issues, I apologise for the less than optimal quality) and uploaded them to a computer and you are now viewing these images on a screen. Somehow this has deadened their presence. If you don’t get the opportunity to visit this exhibition, I hope you might spare a moment to take a much, much closer look at the next gift from Mother Nature as it crosses your path.