flowers – Agnes Ashe

Looking for colour inspiration

We are fast approaching the end of April and I look at a blank piece of silk and feel I want to turn to floral colour for inspiration. I do have several containers of tulips almost in bloom, but they are either the double or parrot varieties typically at their best in May, and, as yet none of them are fully into their stride. Yes, I know there’s blossom, but in my backyard the trees; a couple of pears, the Victoria plum and the cherry ‘Stella’, are all white. And, there’s even more white with an unexpected abundance of honesty (Lunaria annua var. ‘Alba’) this year.

So I’ve resorted to scrolling through my photo albums and hunting down colourful flower pictures. I’ve been looking for pinks and oranges and, funnily enough, golden or possibly even yellow examples to inspire me.

Colourful image featuring strong orange and pinks.

In the process of selecting images I discovered that it’s almost three years since I’ve painted a yellow scarf or even a scarf of muted golds.

Digital Photomontage of a dinner-plate dahlia, oranges and a hint of medieval gilt work behind.

And the more I looked at all the pictures the more I felt like a return to yellowy warm hues.

Digital Photomontage of pears and sunflowers over a medieval painted screen.

It’s probably not going to be the strong yellows of the sunflowers, but a mixture of the softer apricot and cream of this bearded iris ‘Barbara My Love’ tempered by the time-worn gold of medieval St Jude from the rood screen of St Edmund’s, Southwold.

Left – Bearded Iris ‘Barbara My Love’. Right – St Jude, rood screen St Edmund’s Church, Southwold.

Merging the two photographs (the digital photomontage image below) has produced interesting, subtle tones which I feel fit with my mood. I think I’ve found my inspiration.

There once was a bunch of flowers

Back in September I had a good selection of homegrown flowers that made a large and colourful flower arrangement. You may have seen the arrangement in my Blog post ‘Light or Dark‘. I liked them so much I decided to have a go at painting them. It is some years since I last had my paints out and I’d forgotten how different it is to working with dyes on silk.

It turned out to be an interesting lesson and a reminder to me to look and observe more carefully. Of course, I couldn’t let such an arrangement not feature in my silk work as well. And, it was revealing to see how the essence and not the detail ended up in the silk design.

Drawing out a loose version of the original flower arrangement.

As you might be able to guess this isn’t a full-sized scarf. I thought I would start with a bandana/small square scarf to see if the translation from gouache on paper to dye on cloth was worth pursuing. The jury is out on that at the moment. I have just started drawing out a 90 x 90 cm twill scarf to eventually include the arrangement, but probably as a repeat motif rather than a central ‘picture’.

For the time being this bandana is finished and steamed and on the shop.

Perhaps pristine is not always best

It’s that time of year again when desperate for spring colour indoors I buy a bunch of tulips, then watch them slowly fade away. It has taken just over two weeks in my cool, basement kitchen for these pink ones to drop their petals. And, I think I have decided that there is something more beautiful about their fading glory than the stark, brash pinkness of fresh tulips.

The close-up focusses on the shrivelling process of the petals revealing the stamens strong mustardy yellow against the fading pinking.

There is something gently mournful about this process and this year it is more poignant than ever as we mark this day, March 11th 2021, when one year ago the World Health Organisation declared Covid-19 a pandemic.

The solitary single stem. Could be the visual metaphor for a solo lockdown?

A Winter Still Life

Across the UK we are all now living in a lockdown of one kind or another, again. As the winter weather makes outside experiences more challenging, I am guessing that there is going to be more online content featuring interior images.

And, who doesn’t love some flowers in winter, especially when they are grown in the UK.

This beautiful bunch of the scented ‘Paper White’ narcissi was a Christmas gift from my sister and they were grown by the folk of ‘Blue Box’ based in the Isles of Scilly. The flowers arrived tightly furled, they slowly unwound and released a gorgeous perfume. They have lasted remarkably well and are only just going over.

Scent, perfume, fragrance is part of our lived experience. Humans in the techie world have done so well digitising the visual and the auditory, but the olfactory . . . iSmell (I kid you not, ask Mr Google) so far, has not been a success.

Sunflowers – A Litmus Test

Last month I mentioned that I’d been over-optimistic about growing flowers in my backyard. As it has turned out, the sunflowers have provided the evidence for precisely what kind of conditions prevail across my patch during the course of a spring to autumn flowering season. I grew two varieties, Black Magic and Evening Sun, from seed and planted all the seedlings out at the same time in two different aspects.

There were seven seedlings planted at the end of the yard in a bed facing south-east and another seven grown in a narrow strip against the south-west facing fence.

Both varieties were supposed to grow to the top of the fence, about six feet tall, providing blooms that would be easy to cut. The plants in the back bed were weedy and only four made it to flowering, rather disappointing, and it has confirmed my suspicions that the soil in that bed is markedly impoverished. Yet both varieties in the south-west facing strip grew and grew and grew, and it became clear that they were obviously well fed, but was there more to it than that?

They all eventually flowered although the flowers at the top of these nearly 12 feet tall plants have not been easy to cut. Their unexpected height has been mostly due to a significantly richer soil in this bed. However, I can’t help but feel their height has also been as a response to the light shade that occurs during the couple of hours in the middle of the day courtesy of the neighbouring, fully grown eucalyptus tree.

Really, I should not moan as I have never had so many sunflowers all at once – almost enough to sell bunches from a bucket on my front steps!

As is often the way the yellower variety, Evening Sun, nearer to Mother Nature’s original, has grown and flowered more than my favourite the very dark red Black Magic.

Sunflowers ‘Black Magic’ with dahlia ‘Black Jack’

Growing sunflowers has been a useful litmus test indicating the quality of growing conditions across my garden. Additionally, it has also turned out that the handful of them planted in the front garden weren’t up to much, but then I had seen what the builders had ‘tipped’ onto that small patch! At least next year I will have a much better idea of what to expect. And, with a bit of luck and after my efforts during this coming winter to improve the soil, I will have a small crop of medium height sunflowers easy to harvest.

Not a bad selection for the beginning of October – sadly the pears are not homegrown.

Since I wrote this post on Monday the recent storm with high winds and heavy rain has brought down the tallest sunflower. That’s another pot needed then.

Photographing Early Autumn Flowers

If we are honest there are signs and hints of the coming of autumn that occur most years during the course of the average British August. So the recent drop in overnight temperatures and the cooler, misty, damp mornings should not really be a surprise. Here, in East Anglia, as normal, plenty of late-summer flowering plants are still going strong.

Sunflowers ‘Evening Sun’ and ‘Black Magic’ with ammi visnaga and verbena bonariensis

I thought I’d take this opportunity to cut quite a few blooms, gather them together in different compositions and take photographs as a record for future work. I love the colours, individual forms and the various combinations. In my backyard the sunflowers are just getting into their stride and I have so much ammi visnaga finally blooming (after a late start from seed) that it is beginning to look like a weed infestation.

(I couldn’t bear to bin this image, so I photoshopped the creamy white jug heavily reducing its brightness.)

In the bright light on the kitchen table where I usually have any current ‘jug’ arrangement, my loose sunflower bunch looked okay, but when I came to take more formal photos with a dark background the cream jug dazzled and distorted the composition.

Hunting around for something less white I remembered my mother’s copper kettle and switched the bunch to that instead. Annoyingly, in the process of rearranging the flowers into the new container several of the sunflowers dropped all their petals.

As I mentioned the other week the dahlias have been flowering well and the more you cut the more you get – my kinda plant! And, as you can see, the verbena bonariensis eventually grew to its full height and began to flower despite the less than ideal conditions.

Scarlet red decorative dahlias (no label on tubers but a bargain price!) with dahlias dark red ‘Karma Chocolate’, pink ‘Blue Bayou’, orange ‘Tangerine Dream’, and clematis ‘Polish Spirit’ finished off with a couple of sprigs of verbena bonariensis.

There’s not really enough hours of full sunlight in my backyard to create a flower-filled space bursting with colour. In all honesty I think I have been overly optimistic about what I could grow successfully.

Scented, old-fashioned sweet peas and cosmos ‘Purity’ – all grown from seed.

I did plant out the sweet pea seedlings in the best, sunny position available, the prime site. They have flowered reasonably well, but despite doing my usual trench preparation I’ve definitely had less flowers than I did from my old ‘suburban’ garden. I have a feeling I need to make some serious efforts at soil improvement this winter. That will mean adding garden compost to the depleted backyard soil perhaps with the odd handful of chicken manure pellets and finally topping off with a mulch. Additionally, any spare compost mix will be needed to beef up the small area at the front of the house too. No doubt by next spring I will be enthusiastically sowing flower seeds again optimistically hoping for a glorious display all summer.

Mid August is Definitely Dahlia Time

It has been a very mixed summer of weather here in the UK. My part of the country, East Anglia, is known as the driest region and earlier this summer the farmers did have their large-scale, agricultural sprinklers out for a while. However, it’s been all change for August with a significant low-pressure weather system bringing high winds, heavy rain and thunderstorms. Just the kind of weather we need for all those delicate flower blooms – not.

Cosmos ‘Purity’, *ammi visnaga* (bishop’s weed) and sweet peas cut before the wind and rain.

Continuing my recent resolution to try and see a silver lining to any negative situation, I decided that the loss of flowers in the backyard would be transformed into a gain of floral colour indoors.

To that end I cut several small bunches before the storms arrived . . . to brighten up my office . . . . . my workroom . . .

. . . and the kitchen.

Dahlias ‘Bishop of Canterbury’, *‘Black Jack*, ‘Blue Bayou’, ‘Emory Paul’, ‘New Baby’ and ‘Totally Tangerine’.

Annoyingly, when I was cutting the dahlias I noticed an unstaked sunflower had already bitten the dust and the runner bean flowers were fairly bashed about too.

But I do have my fingers crossed that the delicate white flowers were already pollinated otherwise there won’t be any beans to pick in the coming weeks.

Pollinator at work – Mr Busy Bee still visiting the fading agapanthus.

It is only the middle of August, but the cooler weather has reminded me that the autumn is just around the corner. Nevertheless for the time being this is my floral muddle on the kitchen table, scented and colourful – mustn’t grumble too much.

Beginning to take shape – at last

It is over 18 months since the tree surgeon cut down the overgrown ornamental cherry that had been planted too close to the house and also removed two-thirds of the ‘Victorian shrubbery’ of laurels filling my backyard.

Not long after the tree surgeon’s visit.

With the laurels cleared the residual mess was easier to see and the slow process of sorting and removing other people’s rubbish began. A task that took seven or eight weekends last autumn. I was particularly concerned about some of the unrecognisable lumps and bumps of rubbish that was stuffed into a pair of brimming wheelie bins. It was all rather smelly, but in the end nothing horrific.

Without the pseudo hedge it was obvious that there wasn’t much of a fence in place either and what remained upright was so rotten it would all need replacing. Scroll forward to this year and with a new fence in place I began to dig over the tiny borders. The fencing guys had commented to me that they’d never done a job with so much buried concrete and it seemed to me that with every thrust of the spade I struck another lump of the stuff. It has been hard physical work. It was dispiriting too, as two pieces were so large and deeply embedded I have had to leave them in the ground and simply mark their position. At some point I will either cover with shallow rooted plants or place a pot on top.

Just maybe, just maybe this urban concrete backyard might become a garden.

Fortunately, over the years I have acquired a number of pots of various sizes which is just as well as there is more cheaply paved patio than plantable ground in this backyard. Over the Easter holiday, during the four days of fine weather, I was able to paint the mismatched fencing all the same colour and plant young climbers to begin to make a garden. It is early days, but a rambling rose, several clematis, jasmine and a fast-growing ceanothus are all in and will eventually cover most of the fencing.

And, there have been blooms. The beautiful perennial oriental poppy ‘Patty’s Plum’, a gift from my sister, has been the first star. These were followed in June by the stately white foxgloves easily grown from the seeds I brought from my last garden.

Finally, with the recent warmth of the July sun the dahlias are coming into flower.

Flower Arranging: A Competitive Activity

Time stands still for no one and nothing and that includes formal flower arranging. Forty-five years ago my mother belonged to the local Flower Club. The ladies used to meet once a month with visiting guests demonstrating how to create pedestal, triangular and cascade arrangements amongst others. My mum’s favourite was the Hogarth Curve.

And, as with every other aspect of life, arranging flowers has fashions and favourites and, of course, time inexorably ticks on bringing gradual change, though not uniformly and not for everyone. Here’s a wee snapshot of a formal pedestal competition. The brief was titled ‘In Memory’ with the entrants free to choose a well-known person as their subject as well as their source of inspiration.

This arrangement ‘In Memory of Edith Cavell’ by Maggie Morton won Best Use of Colour, First Prize and Best in Show.

This arrangement won Second Prize. The judge commented “A delightful pedestal with great movement depicting your chosen subject. This needs a stronger link to the base of the design”. Area Judge, NAFAS.

Third Prize was awarded to Julia Morley for ‘In Memory of Kevin Beattie’. The judge noted “A beautiful design depicting your chosen subject. Maybe a few less accessories would improve the overall look of the arrangement.”

This was my personal favourite “Remembering David Hockney”. This arrangement, despite having an interesting palette, was not to the judge’s taste who commented “An unconventional approach to a pedestal design. The landscapes are rather flat and would be improved by using bolder local flowers.”

Now I realise that the ‘pedestal’ form of arranging flowers is the epitome of formal flowers, not least as it is still used in churches, but isn’t it time to loosen up the form a little. There were a further two, different flower competitions in the Floral Marquee at the recent Suffolk Show, but no entries were to my taste. I wandered away, disappointed and moved on to the displays from the local growers and nurseries. Now this was a completely different story.

Plants for dry conditions
Plants for a shaded area
Plants for a woodland setting

Horticultural specialists arranged their flowering beauties as if they were at last month’s Chelsea Flower Show. Thoughtful form and colour combinations bedecked their stands in an informal, naturalistic celebration of plant possibilities for your garden. I can’t help but feel that in these times of climate crisis that the formal displays of cut flowers could move towards a more informal regime to include naturalistic designs and wildflower arrangements perhaps even reflecting local biodiversity.

Bearded iris with white alliums as part of a nursery display.

If you would like to see a more contemporary approach to flower arranging have look at the displays produced by florists The Flower Appreciation Society.

From then to now

It’s late May and the irises are in full bloom. Irises are definitely in my top ten favourite garden flowers along with roses, foxgloves, poppies, lilies, hellebores, tulips, clematis, dahlias, and, those great favourites of the medieval illuminators, columbines. Each May when the aquilegias flower I think of illuminated manuscripts and the unnamed artisans who spent hours in their workshops decorating religious texts.

Columbines (aquilegia vulgaris) decorate this page from the Isabella Breviary, 1497, Flemish. MS18851, f.124

And, it wasn’t just aquilegias that filled the margins, for illuminators included images of the different flowers found growing in their own local districts. From about 1300 onwards there is a wonderful variety of illustrations including daisies, honeysuckle, clover, cornflowers, the dog rose along with the blossom of fruit trees and the blooms of flowering herbs.

Irises decorating the Bourdichon Hours, early 16th century, French.. MS 18855, f.33

Gradually, during the course of the 14th and 15th centuries, the making of illuminated texts became a specialist business with the production of breviaries, prayer books, psalters and books of hours from workshops across Europe. Stylised and simple motifs of flowers gave way to more naturalistic representations such as the irises seen in the Bourdichon Hours (above) and the almost ‘impressionistic’ iris seen in the Huth Hours (below).

Iris from illuminated page of The Huth Book of Hours. 1485-1490 Flemish. MS 38216, f130v

I haven’t got any irises in my backyard as yet, and I’m still wondering if there would be enough hours of direct sunshine for them to bloom, but, fortunately, halfway down my road I spotted some in the little community plot.

Irises bringing some colour to the raised vegetable beds at the local community plot.

This plot was one of those small, unloved areas which didn’t belong to anyone and has now been turned into a shared space, a community veg plot with a handful of raised beds and some seasonal flowers to brighten the whole affair. A number of local people who live in neighbouring flats or homes without gardens, spend their spare time planting, weeding and harvesting. This attractive project was instigated by one of my neighbours who’s also the Green Party candidate for our ward.

There is something heartening and positive about the continuing existence of a genus of flowers, admired and illustrated, that way we can track through the centuries. It would be nice to think that humans will be around for the next 700 years to enjoy the iris and the rest of the natural world, but that requires the present generation of world leaders to put their own personal ambitions aside, take a longterm view and start to deal with the climate crisis – seriously.

Lady Drury’s Melancholy Pines

Of all the 61 painted panels that originally covered the wall of Lady Drury’s closet at Hawstead House, only one panel was painted without an emblem or a motto. This ’empty’ panel, consisting of a hilly background and two Scots pines, offers a melancholy scene.

The Reverend Sir John Cullum did not discuss this particular panel at all in his eighteenth-century account. Perhaps he simply considered it an unfinished section. However, the twenty-first century scholar, H L Meakin, suggests the ‘blank’ panel may have been deliberately left empty to encourage spontaneous meditation.

It is also possible to read the two, stark, thin pine trees as visual metaphors for Lady Drury and her husband. They’re standing mature, living apart from each other within a dark and hilly landscape. After all they had existed in a world of challenges and grief following the loss of their young daughters.

Bottom panels painted with herbs and flowers.

More generally, in her summary of Lady Drury’s closet, Meakin offers ideas from Seneca and Montaigne as well as current research considering the lives of early modern women. She suggests there was not a simple division between the public and private spheres, and proposes this tiny, private room offered a space to both think about as well as retreat from the wider world.

Despite the gloomy appearance of the ‘pines’ panel, I find the silhouetted trees make a compelling composition.

And, I also admire the painted herb and flower decorative panels displayed at the bottom of the panel collection.

These panels show bugle, corn marigold, speedwell, dandelion, deadly nightshade, honeysuckle, scarlet pimpernel, wild pansy and a wild strawberry plant.

Bird’s eye speedwell, corn marigold, bugle

Overall, the panelled room is both intriguing and inspirational. So inspirational I decided to paint a series of neckerchiefs using the two pines, the scarlet pimpernel and the corn marigold. Here’s the first of the series showing how the scarlet pimpernel rapidly morphed into a larger, less delicate flower to balance the composition.