It’s Tiers and more Tiers

Last week with all the recent positive vaccine news there was a sense of relief and from some folk a hint that it’s nearly all over. However, although there is most definitely a strong light at the end of the tunnel, there is still a long way to go dealing with this virus.

Explaining the tightened Tier system . . . Tier 1 . . . Tier 2 . . . Tier 3 . . .

Today, following government presentations and briefings it appears that it’s Tier 2 and Tier 3 for most of England. It is only the Isles of Scilly, Cornwall and the Isle of Wight that will be in Tier 1. There are also, we now know, rules for Christmas and all those that are going to do Christmas this year they can go ahead with preparations for their own ‘Covid safe’ arrangements.

What, sorry, you mean you don’t understand. Well, for example take West Suffolk, it has the lowest case rate for over-60s in the whole country, yet will be in Tier 2 with the rest of Suffolk.

Family and friends that know me well, will know I like to root around behind the managed political announcements and simplistic headlines. I am not sure if any news outlet in the UK has uploaded a similarly helpful sequence, but this ‘Aerosol transmission of Covid’ in English published by El País, is fascinating. This is by no means a peer reviewed science paper, but an enlightening visual representation of how this virus spreads so efficiently inside rooms. I thought it was worth sharing before the Christmas get-togethers.

So when travelling during the festive Covid season it’s wear a mask. And, perhaps with visitors inside it might also be wear a mask. And, it should most definitely be all about ventilation.

Note. I would just like to say thank you to Sophie Mitchell Photography, London, (top three images) taken as part of a commission for UCL.

Cultural Norms

Who would have thought a year ago we’d walk down our local High Street and into any shop to find customers and staff alike wearing face masks, and, not find that strange. It appears that for the time being this state of affairs is going to be the norm. Whichever ‘tier’ you find yourself living in, there is going to be the requirement to wear a mask sometime, somewhere, at some point.

Since May there have been articles in the press about masks becoming fashionable and one early adopter of the ‘colourful’ mask has been the American politician and House Speaker, Nancy Pelosi. However, putting aside the medical and the ultra cheap disposable options, have you noticed, more often than not, chaps where plain masks and most commonly, black ones, especially in public life. Or, is this just a phenomenon of those we see in the spotlight? Does anyone know?

Travelling on the Tube a face covering is mandatory.

Now, I am not sure about you, but I find there is something slightly menacing about black face masks. They bring to mind highwaymen or special forces and it’s already bad enough simply not being able to see faces fully. In these gloomy times wouldn’t it be more interesting and more fun and, just more cheerful if guys wore coloured ones. There is so much choice out there; every type of fabric, every colour, every type of pattern. There’s bees or trees or animal prints and ones with text, or symbols or musical notes or just plain colour. If it has been a cultural norm for men to wear coloured ties what’s the problem with a coloured mask?

Working up the Saz

Last week I posted about an inspirational visit to my local museum in Ipswich where I discovered the ‘saz’ motif of Persian ceramics.

Ceramic tiles decorated with the saz motif. ‘Saz’ is a rush or reed. This is an example decorating 16th-century Iznik Pottery

As I am always on the lookout for any interesting shapes, designs, motifs that I can adapt and use in my work, this turned out to be a particularly rewarding visit.

The ‘Saz’ motif is a design derived from the natural world. It is a stylised reed and as such I liked the idea of working it up with a stylised fish or two.

The Saz motif with fish.

Once I have finished painting a block of mask designs, usually about 10 at a time, it is time for the fixing process. That’s two hours in the steamer wrapped in paper.

The Saz motif used in a more simple design.

When the steaming time is up, the silk is washed and cut up into mask-sized rectangles. Then it’s all change in my studio. The dyes and frame are put aside and the sewing machine takes centre stage as I sew up the next batch of masks.

Adaptation

It has been both an interesting experience of adapting and a steep learning curve switching from painting silk scarves to painting and making silk face masks.

I am hoping it is a brief interlude as we wait for an effective vaccine – fingers crossed.

Naturally, the painting of the silk is the same, but painting for masks is generally on a much smaller scale. I have found that marking out rectangles is the most efficient and economic way to work. I have just finished a blue series of six different designs.

The sewing of the silk into face coverings has been the adapting and learning part. Making face masks isn’t difficult, just fiddly. Again it’s that scale issue. I have made clothing and curtains before, but nothing on this smaller size. I am not a natural machinist nor a gifted seamstress by any stretch of the imagination, but having now made over 70 masks, I am at least consistent. My early prototypes were ‘interesting’, but wearable, and I gave them to my daughter and my father and I kept a couple for myself.

Two of the above six have been sold.

Now, I am used to the making part it is a case of getting organised with the stock, the processing of orders and getting my books up-to-date.

Two of the six are available on the shop.

And, I have just checked- two of the silk rectangles from the above six blue are still waiting to be made into masks. Mmm not quite as organised as I thought I was!

Changing Times

From this Saturday, 4th July 2020, in the UK it’s all change or not! As I write this I have the radio on in the background and I keep hearing ‘chaos’, ‘mess’ and ‘confusion’ from various commentators. There are members of the general public calling-in with questions about all the measures needed to ensure safety for ‘Independence Day’ as the tabloids are dubbing it. No doubt Cummings and Johnson are quietly satisfied this cynically selected date is being trumpeted in this predictable manner. Hospitality and travel will be joining retail instigating up to the minute protocols for the new normal. This will include new hygiene routines and maintaining people are physically distancing. Good luck everybody.

Looking at the retail sector specifically and the recent economic data reported in the press the lockdown has had an immense effect on the this sector. The high street had already been struggling in recent years and now as the lockdown lifts more and more shops are finding they are longer viable. Perhaps many shoppers are now less willing to brave the high street stores for non essentials as at the same time more consumers are now accustomed to buying online. However, once you are shopping online you soon find there is an almost overwhelming choice.

My listing amongst other UK makers and manufacturers on the Make It British Directory

Personally, when I am shopping online I like to minimise the ‘product miles’ due to environmental concerns and for that reason prefer to order from the UK. The ‘Make It British’ people have made it easier with their vetted platform listing UK makers and manufacturers. Last month, with my business hat on, I decided to apply to the directory as a maker as well as already being a shopper.

And last weekend, I was delighted when they featured my silk masks in their ‘Top 21 British-Made Face Coverings’ promotion.

My painted silk face covering is the bottom left picture, but I am sure you knew that!

Lockdown trim

Although it looks as if more and more shops and services will be reopening through June, hairdressers will not be amongst them. Personally, I am not that bothered about my hair as it’s usually an unruly mess or partially tamed into a French pleat. Here is a confession, as it happens I have been known in the past to give my hair a light trim much to the consternation of my hairdresser.

For me and my hair there always comes that moment when I suddenly notice it’s too long, it’s a nuisance and it’s time to phone the hairdressers for an appointment.

However, as we all know at the moment if you don’t have a household member who is artistic and creative, or simply competent with scissors, it’s a selfie-haircut for you. Naturally, I have had a go at mine. It’s okay, but I can already hear my hairdresser saying, “You’ve been cutting your own hair again, haven’t you? . . . ”

But this time I am sure she will be adding, “. . . I am not really surprised as EVERYBODY has been ‘cutting’ their hair!”

I was amazed that it looks reasonably even and level-ish. (I used the ‘method’ where you divide your hair in half down the back of your head, pull half to left and chop, then the other half to right and chop. Job done.)

Now, here is one final thought, when I do get an appointment and visit the hairdressers, will she be talking to me through a face mask as I reply through mine. Will this be the new normal? If so, I think our eyes and eyebrows will be doing a lot more work!