Pears for your heirs – planting for the future

In one of those strange moments several threads of my life came together over the Easter weekend. As a keen gardener a four day break with glorious weather was not wasted and I eventually managed to plant two pear saplings and a fig tree.

I also visited my nearest park, Christchurch Park, and popped into the beautiful Christchurch Mansions to take photographs of their 17th-century exhibits. It has been on my to-do list for a while following hearing the rerun of the brilliant recording of ‘God’s Revolution’ by Don Taylor (original broadcast back in 1988). The drama takes us through the English Civil War and as I listened I remembered how my school history lessons had completely drained me of any interest in the 17th century. I had also been left with the impression that the 17th century had been very grey, plain and practical under the influence of the Puritans. It has been a pleasure to discover that this was not the case.

Embroidery panel – Satin stitch appliqué and canvas work scattered on a satin ground. Circa 1650

Of course, skills and craftsmanship did not suddenly evaporate overnight with the Puritans and even though much religious art was destroyed or defaced by the likes of William Dowsing, plenty of interesting examples of visual culture survived the 17th century including new work created during that period. Just think of the monumental splendour of Wren’s St Paul’s. And, then we have at the other end of the scale of English creative expression, small, private handiwork such as this beautiful embroidered panel (above) dating from around 1650.

A startled or slightly comical lion was a popular motif to include. (Bottom right corner of Christchurch Mansion panel).

The full embroidery panel shows a young woman in a garden filled with images of nature. These flowers, animals, birds and insect motifs represented natural gifts from a bountiful God and were celebrated as such. The abundance of nature was a common theme for domestic pieces at this time as displaying overt religious imagery became less popular. It is interesting that the lion and leopard each have their own corner. Their placement is probably significant as it is not an uncommon arrangement, as seen below, in another similar embroidery from the mid-17th century.

Laid silk embroidery circa 1660. Image from Witney Antiques.

Also included in the embroidered menagerie of the Christchurch panel is a unicorn. According to Ruby Hodgson of the V&A, when a lion, leopard and unicorn appear together it is thought to be a reference to royalty.

Looking at the Christchurch panel the most striking representation of the abundance of nature is the pear tree laden with ripe pears in the centre of the composition. It occurred to me that as this example shows a young woman alone in her garden, that the pear tree with fruit maybe a symbol of fertility and allude to her as a potential wife and mother, especially as she stands with her hand outstretched drawing the observer’s attention to the tree.

However, it might simply have been the convention to include a fruiting pear tree as the visualisation of the 17th century English proverb, ‘Walnuts and pears you plant for your heirs’. Old English varieties of pears take years to mature before they bear fruit perhaps not fruiting during a single lifetime and therefore are grown to benefit future heirs. I know that planting avenues of trees for the future such as the famous Spanish Chestnut avenue at Croft Castle, has been a long tradition for the grand and wealthy, but ‘pears for your heirs’ is a discovery for me.

Another pear tree. Mid-17th century embroidered panel. Photo from Wilkinson Auctioneers.

And, that brings me to the third thread of my Easter Weekend, my heir, my daughter. She spent most of her four day holiday break in London moving between Waterloo Bridge, Oxford Circus and Marble Arch as part of the Extinction Rebellion civil disobedience protests. Like so many others including all kinds of folk from all generations, she wants the climate crisis at the top of the global to-do list. Since Easter the recent summary from the Intergovernmental Panel on Climate Change has highlighted even more bad news regarding human beings’ detrimental effect on biodiversity. We have become accustomed to disregarding our natural environment and it appears that since the 17th century ‘pears for your heirs’ has faded from common use and yet . . .

It is time we started planting for the future.

. . . attempting to finish on a more optimistic note, it is not just me who has been planting a tree or two, the Woodland Trust hope to plant 64 million trees over the next decade.

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Such changeable weather

We’ve had some high winds and fast moving weather systems recently in East Anglia. Clouds, some with and some without rain, have been whipping across the Suffolk countryside.

These photographs were taken in less than a minute as we drove through the pleasant village of Little Glemham. It was almost a Hitchcock moment with the sudden darkening of the sky, but without the multiple flocks of birds.

And, then back in Ipswich on Monday, walking through Christchurch Park, it was all jolly waving daffodils in the bright spring sunshine . . .

and I spotted . . . a flashy, noisy bird who turned out to be camera shy!

Golden Hour in a Fine Urban Park

Golden-hour-leavesAlthough Ipswich, a town of about 134,000 people, is not a large place it has some beautiful parks. Recently I went along to Christchurch Park for the first time. The so-called golden hour for taking photographs may be a great time for capturing a weak wintery sunset and the fabulous rich colours of the last leaves, but it was a bitingly cold afternoon.

Christchurch-Pond-at-sundownNevertheless, despite my fingers becoming stiff with cold, I managed to take a few interesting photos. As I have already mentioned previously my favourite park in Ipswich is Holywells Park, however probably the most well-known park is Christchurch Park.

Originally, this parkland was the grounds of the Augustinian Priory of the Holy Trinity founded around 1177.

View-back-to-townHowever, the land has changed ownership several times since it was seized by the Crown as part of Henry VIII’s Dissolution of the Monasteries. The park is also the site of the beautiful, late-Tudor mansion, Christchurch Mansion.

Christchurch Mansion winter golden hour
Christchurch Mansion. Red Tudor brick built between 1548 and 1550. The mansion’s upper storey was rebuilt after a fire in 1674 and some remodelling was carried out in the 18th century by the Fonnereau family.

The Mansion’s last private owner, Felix Cobbold, gave it to the community in 1895 on the condition that the Ipswich Corporation purchased the rest of the associated property within which the mansion was set. And, as an urban space open to the public, it has belonged to the people of Ipswich since 1895.

The park is slightly bigger than Holywells Park with more open spaces and vistas, and consequently feels less intimate and domestic than Holywells. It is more like a traditional urban park, but still offers a restorative green space within a five minute walk of the town centre.

Christchurch-Park-Pond