The last time I reread A S Byatt’s fascinating novel ‘Possession’, I chose to read it in November. During the course of the story the Victorian heroine, Christabel, visits her relatives in Brittany arriving in the Autumn.
“NOVEMBER 1 TOUSSAINT
Today the storytelling begins. Everywhere in Brittany the storytelling begins at Toussaint, in the Black Month. It goes on through December, the Very Black Month, as far as the Christmas story.”
So, A S Byatt informs us that the Bretons know November as the ‘Black Month’. Well, so far this November in East Anglia the weather has been very grey, very gloomy and very grim. Even the chilling north-easterly wind cutting across the reed beds of the Norfolk Broads hasn’t shifted the blanket of grey cloud. It’s miserable so I’ve found some old photos taken in the searing heat – the Middle East, Spain in August and a London Studio (??!!!), well it looks hot.
Ah yes, the ‘Black Month’ nothing to do with this month’s Internet gift shopping, but it is interesting how words have evolved new meanings with international resonance in cyber space.
Grayson Perry delivered his fourth and final Reith Lecture this morning, I Found Myself in the Art World and it was another fine entertaining, but this time more poignant reflection on the nature of being an artist in the Contemporary Art World. During the course of the lecture he drew our attention again to the playful creativity of children and how an artist strives to nurture yet protect that core of their psyche where serious play generates art.
Grayson Perry continued that artists’ works often express some difficulties they have had in their lives. He suggested that the creative process allows them to work through significant transformational events in the act of producing their art. A process that is recognised by some artists as they overtly use these events. However, other artists are psychologically unaware of these experiences, but still nevertheless they are the engine of their artistic production. He continued that this need to express oneself was not confined to the professional artist, but was evident in ‘outsider art’ such as that of the Chicago janitor, Henry Darger, and Prehistoric Art such as the cave paintings of early humans.
Perhaps, we should also include amateur art in this discussion as although certainly not an asset class, for the artist the work is a valuable vehicle for creative expression and its production is often of psychological benefit.
As with the other lectures in this series an interesting little titbit came out during the final Q&A. A Central St Martin’s student asked about career prospects for a young artist and Grayson replied that it was always good to have a plan B. When quizzed about his own plan B, Grayson said he thought that he would have gone into advertising on the visual design side. As I was listening I thought how interesting and what a coincidence as today, 5 November, is the birthday of Raymond Loewy.
Raymond Loewy Designer’s branding Artist’s signature?
Loewy porcelain designs for Rosenthal. 1950s
Loewy porcelain designs for Rosenthal. 1950s
Grayson Perry had quoted Loewy, a great industrial designer and graphic artist, in his third lecture when contemplating the challenge of the avant-garde. He had mentioned the Loewy principle, MAYA, “most advanced yet acceptable” when discussing a new artist’s offering to the art world and in a way this reflects Grayson’s own challenge to the art world when he made POTS.
22 November 2013 -ADDITIONAL INTERESTING COMMENTARY regarding the impact of Grayson Perry and his art from the Historian Prof. Lisa Jardine
Sunday, 16th June 2013, marks the 50th anniversary of the first woman in space, Valentina Tereshkova. She was working in a textile factory with a passion for her hobby of parachuting when she was selected for the Soviet space programme.
I don’t remember this world event, but I do remember watching the moon landings.
And, as a child of the space age I’ve been reminded of all that 1960s energy for the ultra, ultra modern, space-inspired fashions. There were strangely sculptured white outfits and various mini dresses of silver and white most notably by the French designers Courrèges and Ungaro, and the Spanish designer Paco Rabanne. I think zany was the word.
Silver and white mini dress by Courrèges.
Lauren Hutton in Space Age Silver – dress, tights & shoes.
Head to foot in silver twinkle
Oops there is a little person here looking up to space, but not too happy about being dressed up in head to toe silver twinkle. Fast forward a decade into the future and she will be a science fiction fan enjoying her A Level Physics Project – “From Black Holes to Wormholes”. Ah, the mysteries of life!
School holidays, of course I remember long, hot days on the dunes and the beach, inventing intense and convoluted adventure dramas with my sister.
We were pirates with oversized shirts and wellington boots, but I remember being more interested in action rather than costumes. We were lucky, we were left to our own devices whilst our father fished and our mother read or sketched. Okay, we didn’t have a sun-drenched, desert island as our backdrop, but the Suffolk coast in the late 1960s was a quiet, relatively empty place open to our imaginations. More recently my daughter has enjoyed being a pirate, but not at the seaside. It has been ‘Pirate Parties’, particularly following the success of ‘The Pirates of the Caribbean’ films.
So, now, here we are on the Suffolk coast again in the 21st century. It is the school holidays again.
What? Dressing up? Nah – just chill with the phone.