Borders: A Creative Collaboration

The River Stour rises in Wratting Common in Cambridgeshire and crosses into Suffolk near Great Bradley in the far west of Suffolk. From there the river forms the county boundary between Essex and Suffolk. As the Stour meanders across the soft rolling countryside it flows through some of the most beautiful, iconic English landscape made famous by Constable and Gainsborough. With the river boundary in mind the Ipswich and Colchester Art Societies decided to collaborate in exploring their mutual border and present a joint exhibition celebrating the flourishing creativity of the region.

Earlier this week I popped along to see the exhibition ‘Borders’ and photograph a few of works created by the artists as they considered what are borders, what are their purpose and what do they mean to people politically and emotionally?

The earliest known habitation on the River Stour dates from 5,000 years ago at Great Bradley and I’d like to begin my sequence optimistically looking forward to a further 5,000 years of responsible and considerate habitation with a painting titled ‘Hope’.

‘Hope’, Sarah Milne. Oil and pastel on canvas. £550

The pictures from here flow on downstream all the way to the North Sea at Harwich in a personal selection beginning with ‘The Stour at Connard’ capturing a melancholy scene.

‘The Stour at Cornard’, Carol Webb. Oil on board. £140

Then we have ‘Wiston Mill in Nayland’ showing the river waters flowing passed the mill. A situation which is not always guaranteed these day. In July 2019 the river in Nayland temporarily ran dry in the hot weather and drought of that year.

‘Wiston Mill, Nayland, Suffolk’, Christine Thompson. Oil. NFS

Not all the pictures on display painted realistic imagery for their ‘borders’ interpretations. There were several striking abstract works such as this crossing of the river at Flatford, a route that Constable would have known.

‘East Bergholt to Flatford Crossing’, Annabel Ridley. Mixed medium acrylic paint with screen print. £1,200.

An interesting painting that tackles the politics of borders very clearly is ‘Borders and Barricades: Mistley Quay February 2022’. The painting shows the tall metal fence denying access to the river at Mistley Quay. The most recent update (local newspaper, March 2022) on the ‘Free the Quay’ campaign reports “An eyesore fence on a picturesque quayside is still spoiling the view for residents despite being deemed an unlawful obstruction in Supreme Court a year ago”.

‘Borders and Barricades: Mistley Quay February 2022’, Wendy Brooke-Smith. Acrylic on canvas. £1,700

Eventually, the River Stour merges with the River Orwell and flows out into the North Sea between the Port of Felixstowe on the Suffolk side and Harwich on the Essex side.

Detail from ‘A Sail on the River’, Cherry MacGregor. Oil on canvas. £450

And finally, I’d like to finish with my favourite from this show, a painting that sums up the river border between the two counties.

‘The River Flows Through’, Valerie Armstrong. Acrylic on canvas. £1,150