“Who buys craft in times of austerity?” The answer, according to the UK Craft Council, who produced a report in 2010 just two years after the global financial crash, is older, educated women. Below is an extract from their report giving more details about the types of people who buy craft.
You may have noticed I sneakily switched from ‘handmade’ to ‘craft’ in my opening questions, which then begs the question “What is the difference between craft and handmade?” Now this report is essentially concerned with what people consider as ‘craft’ as opposed to simply handmade. Obviously, you can have handmade pastries, but I think most people frequently do consider handmade and craft to be interchangeable. However, if you dig a little deeper ‘craft’ appears to suggest a range of connected perceptions. This intriguing radar (spider) chart below shows how different words are more or less associated with craft particularly with relation to art and design.
And in the chart we see that the term ‘handmade’ features strongly as does ‘workmanship’ which is hardly surprising, but also ‘rural’, which, in the 21st century struck me as rather odd. Handmade ceramics, handblown glass and handwoven textiles are all very popular these days and don’t necessarily call to mind a rural aesthetic. For me, it transpires that my painted silk, though handmade, is often not considered craft. Also from my own experience it is not ‘older, educated women’ who are my customers in these times of austerity. Interestingly, it appears to be their husbands, sons and daughters who are buying my work as special presents. It’s heartwarming to know that even during these challenging times mums are still regarded as exceptional and merit a quality, genuine, handmade gift.