Last Saturday, we had blue skies with winter sun in Ipswich from dawn to dusk and despite the temperatures hovering all day around freezing, plenty of people visited the local parks for their permitted exercise. I was walking through the park as the sun began to set and stepped away from the busy paths to stand for 10 minutes to capture the sun doing down.
You can see there were both family groups and joggers making circuits of the pond,
and also plenty of dog walkers too, but everyone began to rapidly vacate the park as the sun sank beneath the horizon. Nobody wants to be locked in by mistake in these freezing temperatures.
When I got home and scrolled through the pictures I liked the ‘through the big old trees’ shot so much I am now using it for the background on my phone. Even though it’s a winter scene and the trees are dark and towering, there is a warming glow (much more noticeable on my phone than it appears here) which I find genuinely uplifting each time I open the phone. For me this is an example of the usually insignificant aspects of daily life that have become those brief pleasures helping many of us get through these grim days.
The first person I know to get the Covid vaccine has been my father. I took him to the GP’s surgery this afternoon and the whole process ran very smoothly. All the staff and nurses were pleasant and kind. The ‘Covid Vaccine Clinic’ was well organised especially considering the need to keep the elderly folk, many with walking sticks or wheelchairs, the appropriate two metres apart. And, of course, it was masks for everybody.
After the nurse ran through the usual health questions with my father I asked her how many people they’d vaccinated so far. She said they had been allocated a batch of 900 doses and had already vaccinated over 600 elderly Ipswich residents this week.
As you probably have already heard in the news everybody has to sit and wait for a further 15 minutes after the jab. This is a precaution in case of an adverse allergic reaction. It soon became obvious that waiting for 15 minutes was more bothersome for some people than the actually jab, but helpfully they were all given a Covid Vaccination information leaflet to help pass the time.
Back in July of this year the builders of ‘The Hold’ completed their part of the project and handed over the keys to Paul West, the Suffolk County Councillor with responsibility for heritage. On receiving the keys Mr West commented, “We can get on with fitting out and that’s a two to three month project. Then we’ll have a sort of phased opening over the autumn. We hope to have an exhibition in November.” Well, as we all know November 2020 brought us another lockdown.
If you’re not from Ipswich or Suffolk, you are probably wondering what on earth is ‘The Hold’. The answer is, it is the new, purpose-built complex that will house the Suffolk County Archive.
I have followed this project with interest since 2017 when, firstly and sadly, I noticed some large trees were being chopped down. Then a smart black fence of boards was erected securing the site and carrying a display of information about the development.
Over the past 18 months I have been taking the odd photograph as the buildings started to take shape. The Hold is situated on the edge of the University of Suffolk complex and is close to the Ipswich Waterfront. It has been mostly erected on part of the university car park, it was a pity about the trees though.
Originally this £20 million project was scheduled to open around Easter 2020 no doubt with a special, civic event, however that date passed in the middle of the first lockdown and ‘The Hold’ finally opened in October.
It may have taken an extra six months to complete, but the finished building looks interesting and inviting and I look forward to visiting in normal times.
Shall I just begin with saying that I find it disappointing to be writing about ChristmasDay in November, but this year the issue of the ‘Corona Christmas’ is all over the media. You can’t switch on the news, pick up a paper or scroll down your social media feed without being bombarded with headlines and commentary on what could be the situation come the 25th December and what rules may be in place. There is plenty of speculation, but mostly it looks like it’s going to be a numbers waiting game for the government before plans are announced.
Whatever the authorities decide the Covid vaccination programme will not be up and running to any significant extent for us ordinary folk. Individually it will come down to how risk averse people feel about spending hours indoors with relatives and friends. Of course there are alternative possibilities, you could meet up for a festive walk somewhere beautiful or failing that reach for your screens for a zoom Christmas catch-up or even postpone the whole Christmassy thing until February, March, April . . . . or even Christmas 2021.
Regardless of our personal choices at least here in Ipswich the usual Town Centre and Waterfront Christmas trees have been installed. On my way home last night after checking in the weekly supermarket order for my father, I noticed the Waterfront Christmas tree was lit and twinkling.
There was a slightly strange moment when the colours changed through the blues to turquoise, on to the pinks and then the top bauble beneath the star turned red and, to me anyway, it had an eerie resemblance to models of a certain virus!
If you’ve been following the news much during this first week of lockdown 2.0, you might have seen or heard that traffic levels in various parts of the country haven’t reduced as they did during the first lockdown. Obviously, the main difference this time is that the schools have stayed open and many children are driven to school. However, when I walked down to see my father on Sunday morning it was very much quieter than usual.
It was so quiet at this normally busy junction in Ipswich that I was able to capture this damp autumn street view. Not a single car in sight. Disappointingly though, by the time I arrived at my father’s flat, the early mist had almost lifted. This was a pity as my photograph would have been greatly improved if the bulk of the hulk had been shrouded instead of spotlit by the morning sun.
It was just a quick picture from his balcony as even though I wear a mask and the door is open for fresh air, I try not to stay too long in his flat, just in case.
Speedy visits are not the only changes to my walks down to the Waterfront. Back on 29th April this year, Suffolk County Council closed the Waterfront to vehicles, apparently for three weeks. This was to enable plenty of space for physical distancing for the 2,000 or so residents who live in the surrounding apartment blocks. Yes, the closure was for just three weeks! Knowing what we all know now it comes as no surprise that the road is still closed half a year later.
Here we are again. It is Day One of Lockdown 2.0. This second lockdown is in response to the rise of Covid 19 infections across England. And, what better time to take a walk in the local park.
For the next four weeks, and maybe or maybe not for longer, non-essential journeys to the beach or drives out to the countryside are not permitted and so, for town and city dwellers, the local parks will be the places to go for wide open spaces and greenery.
And Holywells Park in Ipswich has plenty of trees and a beautiful cascade of spring water ponds. It is a lovely park to stroll through.
The leaves are most certainly turning and some have already dropped, but there’s enough greenery to make the final stretch of my walk a dark and dramatic tunnel with light at the end, perhaps a metaphor for our times.
Sometimes you visit a local museum and you find a small, interesting display that appears to have nothing to do with the locality of the museum at all. Ipswich Museum has several sections which at first glance have no obvious connection with Suffolk let alone Ipswich. Then you stoop to read the appended information and find that a small collection or special item was donated by an Ipswich or Suffolk resident.
These types of display sprung to mind when last month I was reading about Ipswich Museum and saw a comment querying the relevance of non-local content. I know it is usual for a town’s local museum to focus on exhibits that have local connections especially any that can be spun for a local audience.
However, we don’t simply visit museums for ‘home’ histories, but also to find how our town connects to the wider world. And, Ipswich has been a port since the 8th century and a trading site for nearly 1,500 years.
Despite neither being produced nor discovered in Ipswich this cabinet of Islamic calligraphy and decorative ceramics is both interesting and beautiful, and provides the visitor with a display of another culture’s creative expression.
The exhibits may well have come to the museum as part of a donation from a local Victorian ethnographer, or, a passionate 20th-century collector obsessed with the history of ceramics and that in itself is of interest.
Nevertheless, however these pieces came to be in Ipswich I have found them an excellent source of inspiration. I have particularly admired this fine twisted serrated leaf entwined with flowers, known as the ‘saz’ motif, which I have used for a face mask or two.
Another week and another set of announcements for the ‘new normal’. Last Friday it was the beginning of compulsory face coverings in shops, then earlier this week it was the abrupt announcement of 14 days quarantine on returning to UK from Spain and then this morning I heard the seven-day self-isolation for suspected Covid is to be increased to 10 days.
Many people find change difficult, but if you take a moment and glance across the last century for example, you see it is normal for humans to live with a constantly changing world. It is the pace of change, when it is fast and furious, that unnerves us. And, global crises, such as world wars or infectious pandemics or even the invention of the Internet bring with them discernible change. Of course, most change is slower and continuous, we probably don’t notice it, but it is nevertheless happening.
Last week a couple of the old Thames barges turned up and tied up on the Ipswich Waterfront. They were from Maldon, just down the coast in Essex, and they have been the first and only old barge visitors to dock at Ipswich since the lockdown. They are a beautiful example of how we adapt and change and then accept a new normal.
A hundred years ago there were many of them sailing up and down the coast moving the grain grown in East Anglia, the country’s bread basket, down to London. They were an everyday sight for the folk of Ipswich. Nowadays, only a few are still seaworthy, some have been converted to fixed ‘dwellings’, but many have or are rotting away abandoned in the marsh creeks of Essex and Suffolk.
Pin Mill is a picturesque village on the River Orwell and it is also a boat graveyard. A variety of wooden-hulled vessels are slowly disintegrating on the riverbank including several old barges.
Adaptation is a key mechanism of evolution and survival, and so it has been for the Thames barges. They have adapted from transporting grain to hosting curious visitors and have gained a new lease of life as tourist attractions. Yes, the Coronavirus crisis has brought many changes, but taking people on trips down the river, outside on deck, is still possible although with fewer people on board – it’s the new normal.
Earlier this week, the Prime Minister announced further changes as part of the loosening of the lockdown in England. Amongst other cultural venues, museums and galleries will once again be able to open their doors and admit the general public from the 4th July .
I can’t help but consider when looking at this portrait of Tobias Blosse (photo from a pre Covid visit) that his expression and pose suggests he might just be thinking ‘yes, yes I have seen this all before and humans will, as usual, forget surprisingly quickly all the horror of this plague’.
On a personal level, I am not sure how I feel about going to the cinema, which necessitates sitting inside with little ventilation for two or three hours. However, walking through the galleries of my local museum or visiting Christchurch Mansion to find inspiration for my work will be much welcomed. It will be interesting to see if wearing a mask is suggested – I think it might be necessary in some of the smaller venues. Following the advice given at the final daily Downing Street Briefing, Patrick Vallance and Chris Whitty called for individuals to mitigate risk. They said wearing face coverings was one way to fulfil that requirement!
Earlier this morning I received an email from ‘The Wallace Collection’ announcing their reopening on 25th July and informing everybody of the ‘new normal’ procedures for visiting the Collection. Strikingly, the opening hours have been reduced to 11 am to 3 pm and you have to pre-book your visit. I am waiting to see if this version of the new normal at a busy London gallery will be replicated at local museums and galleries across the regions.
I expect with local museum’s often occupying much smaller premises there may have to be even more restrictions. The days of spontaneously popping in for a 15 minute break to look at a favourite painting, or wander randomly through a display of Roman finds to divert oneself from the present, would appear to now also belong to the past.
During the lockdown I have found books and the Internet have been useful along with strolling through the park and cemetery, but I am most definitely in need of being up close and personal with treasured objects from our past, even portraits of grumpy looking gents like Bailiff Blosse. In Tobias’s defence, I would just say that when standing in front of the canvas he does not appear quite so grumpy (apologies for the lens distortion Tobias).
As the gradual loosening of the lockdown continues and we find a new normal we will be reminded that as with much of human life, that some things are simply better experienced directly in person even if it now means more planning and less spontaneity.
We’ve had some strange ol’ weather adding to our already strange times. As if we weren’t all living in an upside down world, the weather is all over the place. According to the Met Office we have, in England, just experienced the driest May on record.
And, now it’s June and we have these monsoon-like downpours. My roses bloomed so early that the first flush had near enough finished before the arrival of June and despite the rain, there’s no sign of ‘balling’ of the next flush as they are still tight buds. For once, I feel the roses have outwitted the capricious English weather.
However, it has been another story in the local park as by the end of May the lawns were turning brown,
and the ornamental grass display looked so parched it could have been mid-August in a heatwave.
It was also a shame to see some of the frilly poppies (papaver somniferum) failing as they are normally so resilient. Their heavy heads drooped and their leaves withered. Following the past month without rain even a good watering would probably not save them now. I think perhaps it’s more the fact that the soil is baked so dry that the roots have become entombed.
Hopefully, there will be other poppies germinating from a later sowing that will fare better now June has brought us plenty of rain.
Of course, there are other features of Holywells Park where the heavy rain has been most welcome. It has topped up the ponds, re-greened the grass and provided moisture to the sheltered areas beneath the trees. This amazing palm (Trachycarpus fortunei) grows well in its sheltered position. It stands tall as the monsoon-like deluge penetrates the overhead canopy and gives this little corner of an urban park in Ipswich a tropical atmosphere.
But, there is no doubt about it – the plant that has benefitted the most from all those hours of Maytime sunshine is the banana plant in the park’s Victorian Conservatory – it’s been growing like Jack’s beanstalk.