In January I posted a few comments about the ‘Creating Constable‘ Exhibition currently on at Christchurch Mansion, Ipswich. Along with many works by Constable himself and his Suffolk contemporaries, there are also sketches and paintings from artists influential and important to Constable during his formative years. However, something I did not mention in that post were the few 21st-century works by Suffolk artists currently working in Constable’s county such as this engaging work by local artist, Hayley Field.
Hayley Field has been painting the colours, light and landscape that can be see from her studio window by the River Deben since 2017. Below in her own words she describes her work and the process of painting colour maps.
I began making ‘colour maps’ nearly three years ago when I was working in residence in Mary Potter’s house and studio in Aldeburgh, as a response to the surrounding landscape. Once back in my own studio I began to make them of the view from the window, across the river Deben to Suffon Hoo. I gradually developed their format to become an analysis in one sitting of the colours I observed, making a vertical journey – river to sky or sky to river – including the water, mud, islands, river bank, land, trees and sky. I enjoy the complexity of understanding and describing the colours and the intense, deep focus it requires.
The pencil notes record the pigments I have mixed to make the colours, and the date. What started as documentation has become an ongoing, cumulative piece of work. I have exhibited it three times to date – each time in a different way – gridded, a section of the whole, and in a line.Hayley Field, article for an exhibition at The Cut, Halesworth, Suffolk.
During lockdown I have been making colour maps from a room in my home, with a view to the river Deben, through trees and across fields.
When you take in ‘Across the river in the trees, 2021’, as a whole you can see that it is a visual diary, a year in colours.
The subtle changes across the watercolour map impressively detail the changes of hue resulting from the varying quality and type of light associated with different weather and the different seasons.
Very much on a personal level as colour is central to my work, I find this visual record makes a fascinating piece. And, the delicate yet precise changes painted, for example, 18th June above and 26th September below, beautifully capture the essence and difference of an English summer’s day to a Suffolk day in autumn.