Back in the depths of winter I painted a large, 90 x 90 cm crepe de chine scarf that acquired the name ‘Nixie Noire‘. It had followed on from a small, bandana-sized scarf called ‘Nixie Petite’. Weirdly, I had forgotten all about Nixie Petite until yesterday when I was doing my annual stock take.
Doing my stock take isn’t an arduous task as I rarely have more than 50 scarves available to buy at any given time. Instead, my stock take becomes a short journey of rediscovery as I work through my boxes and find work I’d forgotten I’d painted.
It might seem odd that I should forget my own work, but seeing the photos of my scarves on the shop isn’t the same as handling them. I know I’ve mentioned it before, but even the best photographs are not a substitute for the soft and almost luminous quality of a scarf in real life.
In passing I would also say, that at the various craft shows I have sold my work, interestingly, most people still only look. I have to suggest that people can pick up a scarf and feel it. I also have a small, gilt mirror to encourage customers to try on a scarf and see how it looks and feels when worn. I guess we mostly buy with our eyes.
Anyhow, counting the stock requires seeing the real item and in the case of Nixie Petite being surprised by it. Goodness, those colours and all that fiddly pattern. I must have been in an easygoing, light mood when I started that one!
And, if you ever wondered from where I get the names for my scarves, I choose them from an old book of baby names.
Nixie – from the Old High German, nihhus, ‘nymph, sprite’. A mythological mermaid, half-woman, half-fish, who could be glimpsed by lovers on nights of the full moon.