
Last week, I finished my post with a photograph of the beginnings of my new collection based on the Wickham Market Hoard. Strictly speaking it is the designs struck on the Freckenham and Snettisham staters that have caught my attention and specifically the charming horse symbol.

Once I had my version of the horse motif worked out and drawn up I could plan out the whole scarf design. I began this series using the smallest size scarf I paint, that’s the neckerchief square, but what colours for the initial interpretation?

Well, it wasn’t difficult to decide as I had plenty of flower photographs capturing all the bright zing of summer blooms. When I pasted some of these together into various photomontages they offered a number of irresistible colour combinations. I chose the pink and red grouping. Below is a sequence of photos from start to finish recording painting the neckerchief where I incorporate my version of the glorious 2000 year old horse motif.





The first in my Freckenham series, the neckerchief ‘Freckenham Carmine’ is now finished and displayed on my shop.

Beautiful design, lovely colours.
Thank you.
I love seeing your process. And I like the idea of these horses coming around into view through your work.
I am still surprised that such a symbol is so old, but I suppose the Ancient Egyptians got there first with their wealth of intriguing, stylised imagery.
This seems very different from your other work, yet strongly connected. A wonderful evolution!
Thank you. Not sure how long painting with those bright, strong colours will last now it’s autumn. Just about to begin a large square with old gold and dark red. Don’t know about you, but I find without being overtly conscious of it, I am influenced by the changing seasons.
Amazing, and I love the insight to your process.
Thank you. I appear to have been stuck in a ‘red’ phase in the last few months. Actively trying to work against it at the moment. Maybe I have been subliminally responding to the state of POLITICS!
Thanks for sharing your creative planning process Agnes. Nothing like strong shades of red to release.
Yes, it has been quite therapeutic to work with such strong, vibrant colours!