Visual Culture and Public Commemoration – Stained Glass

The First World War Village Memorial, Thorpe St Andrew, Norwich, Norfolk, UK Photo - 28 July 2014
The First World War Village Memorial,
Thorpe St Andrew, Norwich, Norfolk, UK
Photo – 28 July 2014
I know I’m not the first and I certainly won’t be the last to comment on the nature of public commemoration during this year, 2014, that marks 100 years since the beginning of the First World War. A public, ritualised remembrance for the dead has long been available to the powerful elite, but the terrible carnage of World War One brought widespread change to how the death’s of ordinary folk dying for their country was remembered. The sheer numbers of the fallen from virtually every town and village of the United Kingdom instilled a need in the general populace to act together within their communities and communally mark their losses. This was done through the village memorial, a stone cross bearing the names of the fallen.

Names of the fallen 1914 -  1916.
Names of the fallen
1914 – 1916.
Names of the fallen 1917 - 1918.
Names of the fallen
1917 – 1918.













WW I Memorial - North Gallery Window St Pancras Church, Euston Rd, London.
WW I Memorial – North Gallery Window
St Pancras Church, Euston Rd, London.
Although the stone cross memorial is the most frequent site of commemoration stained glass windows were also commissioned and installed in churches and public buildings. Similar lists of names of the fallen can be seen written on stained glass panels. Commemorative stained glass filling the windows of churches across Great Britain has been traditional for hundreds of years. Most were sponsored by prominent families or religious bodies and depicted Christian imagery. Often a discrete biblical quotation accompanied by the patrons name reminded the congregation to offer up prayers’ for the departed soul.

At the end of World War 1 with the large loss of life many institutions also chose to collectively mark the loss of their colleagues and friends. Not only were the dead from specific regiments commemorated, but companies, wealthy organisations and even schools commissioned large stained glass windows listing all their fallen.

Memorial window in original architecture at 30 St Mary Axe, London.
Memorial window in original architecture at 30 St Mary Axe, London.

The Baltic Exchange in the City of London commissioned a set of memorial windows for its semi-circular apse when it was based at 30 St Mary Axe. These windows by the stained glass artist John Dudley Forsyth were severely damaged by an IRA bomb which exploded on the 10 April 1992. Since then they have been restored and are now installed at the National Maritime Museum in Greenwich, London. As this set of windows is now at standing height if you look carefully you can spot depictions of various WW1 war machines.
Part of Baltic Exchange memorial windows now at   the National Maritime Museum, Greenwich, London.
Part of Baltic Exchange memorial windows now at the National Maritime Museum, Greenwich, London.

In Southwark Cathedral, London, two three light windows by Hardman & Co were installed in memory of those who had died during the conflict. One window commemorates the 386 employees of the South Metropolitan Gas Company and the other window the staff from the Oxo company who also lost their lives.

Three light memorial window by Hardman & Co  in remembrance of the 386 employees of the South Metropolitan Gas Co who died in WW1.  Southwark Cathedral, London.
Three light memorial window by Hardman & Co in remembrance of the 386 employees of the South Metropolitan Gas Co who died in WW1.
Southwark Cathedral, London.

Detail of the window commemorating the Oxo workers who died in the 1914-18 war.
Detail of the window commemorating the Oxo workers who died in the 1914-18 war.

Of course regiments commissioned memorial windows and the King’s Own Regiment has a large, three-light window in the north nave aisle of Norwich Cathedral. It shows a central image of St George, but it has paintings of soldiers in the trenches in the panels either side. One is shown cleaning a rifle and the other shows a stretcher-bearer waiting for casualties.

'The Path of Duty is the Way to Glory', King's Own Regiment Memorial window. Norwich Cathedral.
‘The Path of Duty is the Way to Glory’, King’s Own Regiment Memorial window.
Norwich Cathedral.

It hasn’t been just fighters and machinery that have been depicted in these First World War memorial windows. In the small village of Swaffham Prior in Cambridgeshire, their local church, St Mary the Virgin, has a light that shows women working in an armaments factory.

Women working in the armaments factories. St Mary the Virgin, Swaffham Prior, Cambridgeshire, UK
Women working in the armaments factories.
St Mary the Virgin, Swaffham Prior, Cambridgeshire, UK

But despite all these long lists and large community windows every now and then a simple, small single light dedicated to two brothers can be found in a tiny village church – reminding us that each name on a long list had been an individual life extinguished by war.

The tiny parish church of St Lawrence, Brundall, Norfolk.
The tiny parish church of St Lawrence, Brundall, Norfolk.

Brundall-two-inscript

St George by Morris & Co dedicated to the memory of Percy and Leslie Dandridge. St Lawrence, Brundall
St George by Morris & Co dedicated to the memory of Percy and Leslie Dandridge.
St Lawrence, Brundall

Author: agnesashe

Artisan, blogger and passionate East Anglian working from home.

3 thoughts on “Visual Culture and Public Commemoration – Stained Glass”

  1. I have never seen stained glass memorials to WW1 like this anywhere over here or perhaps I’m just not aware of them. These are so moving and a reminder of the slaughter that happened during the ‘Great War’ or the ‘War to end all wars’ and how it effected every community in the commonwealth and beyond. The one of the women working in the armaments factories is so interesting.

    1. Initially it is odd to see images of soldiers, tanks and armaments factories in church stained glass. I first noticed 20th-century ‘war’ images whilst attending a concert in Exeter Cathedral. They have a large window depicting the bombing of Exeter in May 1942 by Christopher Webb. But when I started thinking about it, I realised that violence, wars, crusades and even St Paul with his sword, is commonly shown and we take it for granted because it is not rendered in a contemporary context or style.

      1. So true about the depictions of war in the old windows…I wonder how many of the new ones are replacements made necessary by destruction in the two wars?

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